Speaking of seven, this is edition #7 of Melrose Between the Lines, and I think I'm gonna have to cut these a summaries little bit. I reread my purpose with these things, and I'm trying to focus a little less on the actual summary and more on those hidden meanings, objects, etc. that I can find within the show. And I've had a request to separate the audio from the pictures, so that's taken care of. OK, edition #7, here we go:
Original air date: January 13, 1993
Production number: 2392020
Written by: Charles Pratt Jr.
Directed by: Nancy Malone
Guest Stars: Deborah Adair, Linden Ashby,
John Marshall Jones, Laura Leighton, Larry Poindexter, Sydney Walsh
Rating: 7*******
Summary: Billy and Alison don fancy clothes for the Advertising Associates Ball. Jake tells Alison that he's seen Charles Reynolds in town and he hasn't told Jo yet. At the ball, Billy starts charming Lucy and tells her that he's Alison's roommate. Alison is angered because he was revealing her personal life. Billy says he's just here to have fun. Danny Baker shows up on the scene and asks "Eleanor" to dance because his date stood him up. After a round of dancing, Alison asks Billy if she can attend a post-party with Danny. He reluctantly agrees. The next morning, Alison comes into Billy's room to apologize for ditching him the previous night. He angrily shouts at her how used he felt because he rented a tux and the whole nine yards. Billy and Alison agree to bring the cake to Jane's party, but Billy says he's going separately, giving Alison a guilty feeling. At Jane's party, Billy ditches Alison immediately. At the apartment, Alison comes down to apologize to Billy for the ball. Billy starts giving her double fudge cookies, Keith and Alison's U2 CD with their song, and monkeying around with her.
Jane is measuring Rhonda for a wedding dress and Syd comments that Jane's train was so
long you could put passengers on it. Jane gives her a dirty look and she leaves. Rhonda
explains that maybe it would be best for them only to talk at family functions, like she
and her brother. Jane comes home on a rainy night to find Michael in the sack with
Sydney. She awakens to find it was a nightmare and she's overslept. She's late for
work but Syd has already called Kay for her. Michael is planning a surprise party and Syd
convinces him to ask Kay to hold it at the shop. Later, at the studio, Jane asks Syd
to fetch her some lunch and she refuses because Kay might need her. Jane tells her to get
lost and kiss butt, or whatever she's here to do. Jane is coming home from a jog in
the morning, explaining to Michael that she feels she needs to kick Sydney out. She
recalls when the family learned Syd had a heart murmur and everyone was on edge to help
her, and how Syd milked it for all it was worth. Michael encourages her to give it
one more night, a night on the town, just the two of them to talk things out. Jane and
Syd go out to Shooters and start fighting:
SYDNEY: This is what we should've done right away, right from the start. Girls' night out,
just the two of us, just to talk.
JANE: Mm-hm.
SYDNEY: Mm-hm?? You always said that when you didn't agree, but you had to. You
never change, Jane.
JANE: Neither do you, Syd.
SYDNEY: Sure I have. Maybe that's been our whole problem. You still think of me as this
little kid.
JANE: Sydney, your whole life, you've been able to do whatever you want. I was always
left with the wreckage, mom, dad and I.
SYDNEY: Three against one.
JANE: No one was ever against anyone, you just had this way, and you still have this way,
and if you really want to know, it's starting to get in the way.
SYDNEY: My fault again.
JANE: I'm not saying that.
SYDNEY: Jane, you're blaming me for everything that's not working in your life.
JANE: I am NOT blaming you.
SYDNEY: C'mon, you don't think I hear you talking to Michael?
You smile to my face, and then you dump all your real feelings behind my back. The
reality is, you can't accept how well I'm doing, or even that I'm doing well at all.
JANE: That is not true!!
SYDNEY: Then why can't you just be happy for me? Why does there always have to be this
tension?
JANE: Because I think you're trying to steal my life. Yeah, that's what I think. I think
you've always been jealous, and now you see some kind of opening.
SYDNEY: I'm that terrible?
JANE: You picked this fight. You deliberately provoked me.
SYDNEY: You provoked yourself.
JANE: This was obviously a mistake. I'm going home.
When it's time for Jane's party, Syd shows up
without Jane because of the fight. A guy grabs Sydney to buy her a beer. Michael
brings Jane to the party later
and she goes to Sydney and tells her to get out of the
apartment by the next night. They just don't get along, it's nobody's fault, that's
just the way it is and she's tired of fighting it. As Sydney is leaving, she gives Jane a
note so she can leave without any fanfare. Syd confesses she wanted to ruin Jane's party,
she didn't mean to but she couldn't control herself. She wanted to hurt Jane. She wants to
be like Jane and all she got was lowered expectations. All she ever heard was "Why
can't she be more like Jane?" Jane heard, "What are we going to do with Sydney?" Jane
said that we are who we are. Syd is proud of herself because she has some direction now,
and Jane welcomes the competition. Syd says she's leaving in Billy's cab. They both say
their I love you's and then hug each other bye.
Listen to Jane and Sydney fight.
Listen to Jane and Sydney fight again.
Listen to Jane and Sydney sort of make up.
Watch Jane and Sydney hug.
Jake tells Jo at Shooters that Charles Reynolds was in the complex looking for her. He
told Charles he had never heard of her. Jo runs away saying, "I've got to get out of
here." At the apartment, Jo confesses to Jake that she's still married but she thought
time would settle in and she could divorce Charles. Jo begs Jake to leave, explaining that
its her problem and she'll deal with it. She calls (Charles' parents, I think) and asks
where he's staying. Jo goes to the Bel-Age, where Charles is staying
and he explains that
he's been in rehab and part of the treatment is to find the people he's hurt and apologize.
He begs to take her to lunch. Jo comes down the apartment stairs to tell Jake that she
understands he's confused, but she is as well. She says she just can't spend four years
with someone and not give a damn later. She says she cares about him, but she also cares
about the past. It's her problem and Jo says she will handle it. At lunch, Charles
apologizes to Jo for not encouraging her to pursue photography to begin with. Jo says she
forgives him, but wants to get on with her life. Charles says he's leaving town on Sunday
and begs Jo for a tour of the city. Jake is watching TV with Billy, frustrated because
he really cares for Jo and she's slipping away and he's doing nothing. He ponders whether
or not he deserves all this for the hearts he's broken. He tells Billy to turn off the TV
when he hears Jo and Charles talking outside. He looks through the blinds just in time to
see them kiss.
Jo explains to Alison, who can't believe what she's hearing, that she's
starting to see the man she fell in love with again. Jake shows up and asks Jo to Jane's
surprise party. She declines because she has other plans. Jake leaves Jane's party
early to go home and tell Jo how he feels. Charles and Jo are having drinks and he asks
if there's someone new in her life, because he needs to know to deal with it. Jo confesses
she's been seeing Jake, but nothing serious. Charles shows Jo his hand, indicating he's
not jealous at all. Jo later finds
Jake swimming in the pool late and night. He is angry because he's just letting this mess
with Charles happen and how he's worried about Jo and he's fallen in love with
someone that he's losing. Jo shouts what a mistake it was for her to come down there. Jake
comes back with the fact that Jo came out here to escape and now she's running back to the
same thing she ran away from. Jo tells Jake to go to hell, running back into her
apartment to start crying.
Charles shows up at Jo's door later that night, drunk as the
day is long. He barges in looking for Jake, saying she had no business fooling around with
Jake while they're still married. Charles is angry because Jo has
been "leading him on" and starts attacking her.
He says she "owes" him for what she's put him through, how humiliated he was when she
left. Jo starts crying. Charles says that she's not worth it, because she was nothing
before she met him, and now she's still nothing. Charles leaves to find Jake at the bottom
of the stairs, who has heard stuff. Jo orders both of them to leave her alone. Charles heads
to a cab. Jo comes to the Bel-Age just as Charles is
leaving to tell him she's filing for divorce. Jo declares she's getting on with her life
no matter how hard it is and she deserves this chance. Charles gives her several dollar
bills, saying "This is what I owe you. This is what I give all my whores." Jo
gives this money to the bellboy, saying Charles is a good tipper, and not much of anything
else. Jo goes home to Jake to find him working on his Harley. She explains that it will
be a long time before she can commit to anyone and asks him if he wants to take a ride up
the coast later. He accepts, and they kiss and make up.
Listen to Jake and Jo's fight.
Watch Charles' attack on Jo.
Matt expresses some concern to Rhonda that she is trying too hard to change herself for Terrence. She's given up several things that she holds dearly to plan the wedding of the century. Rhonda is in Matt's apartment, questioning why he's been avoiding her. He explains that he's scared of finding someone right, he's been preparing himself for something he's afraid to go after. Matt then says how scared he is to lose Rhonda. Rhonda tells him she's scared to take this step that fast, but they won't lose what they have. Matt asks if she's happy. Rhonda says, "Only if you're happy for me." Matt asks if she has a best man and she says, "I've never heard of a bride having a best man." Matt: "You have now." Rhonda: "Cool!! To hell with tradition." Matt: "That's what I say."
The Stuff You May Have Missed:
My Vents:
Memorable Quotes:
"We're platonic. We're not boyfriend and girlfriend. We're not brother and sister.
We're not gay and we're not weird. We're just roommates." -- Billy Campbell
"Women are always the ones in control. Check out The Simpsons. Have you ever seen Homer say anything bright? What happened to shows like Magnum P.I.?" -- Billy Campbell
"Alison, good advice: Never go out with anyone in the building." -- Jo Beth Reynolds
